This exhibition was organised by respected social-documentary photographer Ian Beesley and the poet and presenter Ian McMillan. The display was brought to Leeds Industrial Museum as part of a continued commitment to draw visitors’ attention to industries that remain active in Yorkshire today. The show portrays the mental, social and physical impact mining has on the lives of modern miners and has previously been on display at the National Coal Mining Museum back in 2011.
Taking nearly twenty years to complete, this multi-layered body of work explores the harshness and dangers of coal mining in one of the last working pits in England. The physicality of the work, the relationship between the underground and the surface, the claustrophobia and darkness of the pit are explored in this collaboration between the photographer Ian Beesley, the poet Ian McMillan and the miners of Hayroyd’s colliery.
Hayroyd’s colliery was founded in 1911 it was owned by the same family for three generations before being sold to a workers cooperative in 1995. Beesley made his first visit to the colliery in 1990 and continued to photograph in and around the pit top until 2007, when it was announced that the pit would be closing and he was granted unlimited access above and below ground to document the closure of the colliery.
During this period the price of coal rose so dramatically that it suddenly became viable for the pit to remain open and so in 2008 with a limited workforce, ageing machinery, a backbreaking walk to the face that took the best part of an hour, production at Hayroyd’s colliery restarted.
For the next four years Beesley worked closely with the miners documenting the triumphs and disasters that befell the colliery, until the mine closed in 2012 due to flooding. This exhibition and the accompanying publication “The Drift” provide a unique insight into the closed and dangerous world of coal mining.
